A Dream with Vincent van Gogh: Theatrical Script


“A Night at the Opera
Author: Gilbert Bundy
Publication: Esquire Magazine, January 1936 issue.
Description: This illustration captures a humorous scene of spectators in a theater, characterized by the satirical style of Bundy, who frequently explored issues of society and culture in his work for Esquire»

A Dream with Vincent van Gogh: Theatrical Script


Act I: Disconnection and the Threshold

Curtain opens: A room illuminated by the faint light of a phone screen. The protagonist blocks the noise and light, closing her eyes.

Narrator: In the reality of technology surrounding my existence, while cameras constantly capture me through my phone, I block the noise and light of the screen and dive into a deep sleep.

Curtain closes.


Act II: The Building and Unresolved Matters

Curtain opens: An office in an apartment building. A figure sits in front of a computer, typing hurriedly. The protagonist sits across from him.

Dialogue:

Protagonist: That person no longer lives here. Please confirm it in the database.

Clerk: (Typing and reviewing) You’re right, they’re no longer here. However, there’s an outstanding account with them.

Narrator: It becomes clear to me that this must be resolved to close that chapter and let go of that person.

Curtain closes.


Act III: The Bathroom and Disorientation

Curtain opens: A large bathroom, with cold white walls. The protagonist, completely naked, observes her reflection as the echo of footsteps resonates.

Narrator: My mind begins to tell me that something doesn’t fit. I wonder if this is the true reality.

Background sound: Knocking on the door.

External voices: Are you okay? We need to come in!

Narrator: Finally, I urinate, but at that moment I faint. I feel as if my soul leaves my body.

Curtain closes.


Act IV: The Dance of Rebirth

Curtain opens: A theater full of lights. The protagonist, wearing a dress with vibrant colors representing Honduras, prepares for a dance performance.

Narrator: Before an expectant audience, I begin a dance performance, creating shapes with my body. I immerse myself in the sensation of being a dancer.

Audience applause: The scene culminates with a clamor.

Curtain closes.


Act V: The Theater and the Door to the Past

Curtain opens: The entrance to the theater. People cover their faces with plaster. The protagonist observes with curiosity.

Narrator: The streets outside are those of Europe in the mid-19th century. At that moment, I see a man with orange-brown hair and a look of confusion. I recognize him: it’s Vincent van Gogh.

Dialogue:

Protagonist: (Hugging Vincent) I…; TO THE COMPANION: We are together in another life, but let me be with Vincent now.

Curtain closes.


Act VI: A Journey with Vincent

Curtain opens: A desolate landscape with a blue-gray sky. Vincent and the protagonist walk together.

Dialogue:

Vincent: I feel unwell in my mind.

Protagonist: I’m here with you. Everything will be fine.

Vincent: Feeling your presence heals me.

Curtain closes.

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Act VII: The River and Purity

Curtain opens: A house with a river in the backyard. Vincent bathes in the water while the protagonist observes him.

Narrator: I look at myself and notice that I am a woman with light skin and long, thick hair. I hold a gaze of love and innocence as I watch Vincent in the river.

Curtain closes.


Act VIII: The Sunflowers and Farewell

Curtain opens: A field of dried sunflowers swaying in the wind. Everything transforms into an impressionist canvas.

Dialogue:

Protagonist: I must go, but I’ll return soon.

Vincent: (With a look of desolation, which changes to hope) We’ll meet in Amsterdam.

Curtain closes.


Act IX: The Awakening

Curtain opens: A room lit by morning light. The protagonist gets ready to leave.

Narrator: I remember with joy that I dreamed of Vincent van Gogh for the first time. A great happiness fills my heart.

Curtain closes.

Ennio Morlotti Fiori, 1959 oil on canvas Museo Novecento, Firenze

Act X: Reflections in the Park

Curtain opens: A large park filled with winter trees. The protagonist walks and reflects.

Narrator: During my walk, I ask myself:

  • To what extent do we have free will?
  • How much of our life is controlled by destiny?
  • Are we saving the world through love?
  • What would have happened if someone had loved and cared for Vincent van Gogh?
  • Why are we afraid of unconditional love?

Final curtain closes.

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