
“A Night at the Opera
Author: Gilbert Bundy
Publication: Esquire Magazine, January 1936 issue.
Description: This illustration captures a humorous scene of spectators in a theater, characterized by the satirical style of Bundy, who frequently explored issues of society and culture in his work for Esquire»
A Dream with Vincent van Gogh: Theatrical Script
Act I: Disconnection and the Threshold
Curtain opens: A room illuminated by the faint light of a phone screen. The protagonist blocks the noise and light, closing her eyes.
Narrator: In the reality of technology surrounding my existence, while cameras constantly capture me through my phone, I block the noise and light of the screen and dive into a deep sleep.
Curtain closes.
Act II: The Building and Unresolved Matters
Curtain opens: An office in an apartment building. A figure sits in front of a computer, typing hurriedly. The protagonist sits across from him.
Dialogue:
Protagonist: That person no longer lives here. Please confirm it in the database.
Clerk: (Typing and reviewing) You’re right, they’re no longer here. However, there’s an outstanding account with them.
Narrator: It becomes clear to me that this must be resolved to close that chapter and let go of that person.
Curtain closes.
Act III: The Bathroom and Disorientation
Curtain opens: A large bathroom, with cold white walls. The protagonist, completely naked, observes her reflection as the echo of footsteps resonates.
Narrator: My mind begins to tell me that something doesn’t fit. I wonder if this is the true reality.
Background sound: Knocking on the door.
External voices: Are you okay? We need to come in!
Narrator: Finally, I urinate, but at that moment I faint. I feel as if my soul leaves my body.
Curtain closes.
Act IV: The Dance of Rebirth
Curtain opens: A theater full of lights. The protagonist, wearing a dress with vibrant colors representing Honduras, prepares for a dance performance.
Narrator: Before an expectant audience, I begin a dance performance, creating shapes with my body. I immerse myself in the sensation of being a dancer.
Audience applause: The scene culminates with a clamor.
Curtain closes.
Act V: The Theater and the Door to the Past
Curtain opens: The entrance to the theater. People cover their faces with plaster. The protagonist observes with curiosity.
Narrator: The streets outside are those of Europe in the mid-19th century. At that moment, I see a man with orange-brown hair and a look of confusion. I recognize him: it’s Vincent van Gogh.
Dialogue:
Protagonist: (Hugging Vincent) I…; TO THE COMPANION: We are together in another life, but let me be with Vincent now.
Curtain closes.
Act VI: A Journey with Vincent
Curtain opens: A desolate landscape with a blue-gray sky. Vincent and the protagonist walk together.
Dialogue:
Vincent: I feel unwell in my mind.
Protagonist: I’m here with you. Everything will be fine.
Vincent: Feeling your presence heals me.
Curtain closes.

Act VII: The River and Purity
Curtain opens: A house with a river in the backyard. Vincent bathes in the water while the protagonist observes him.
Narrator: I look at myself and notice that I am a woman with light skin and long, thick hair. I hold a gaze of love and innocence as I watch Vincent in the river.
Curtain closes.
Act VIII: The Sunflowers and Farewell
Curtain opens: A field of dried sunflowers swaying in the wind. Everything transforms into an impressionist canvas.
Dialogue:
Protagonist: I must go, but I’ll return soon.
Vincent: (With a look of desolation, which changes to hope) We’ll meet in Amsterdam.
Curtain closes.
Act IX: The Awakening
Curtain opens: A room lit by morning light. The protagonist gets ready to leave.
Narrator: I remember with joy that I dreamed of Vincent van Gogh for the first time. A great happiness fills my heart.
Curtain closes.

Act X: Reflections in the Park
Curtain opens: A large park filled with winter trees. The protagonist walks and reflects.
Narrator: During my walk, I ask myself:
- To what extent do we have free will?
- How much of our life is controlled by destiny?
- Are we saving the world through love?
- What would have happened if someone had loved and cared for Vincent van Gogh?
- Why are we afraid of unconditional love?
Final curtain closes.
